In the age of digital content, customization has become so ubiquitous that most of us have forgotten a time where there was only one way to interact with written information: the way the publisher intended.Collectively the team at Edition Guard have lost count of the number of times we selected a new font for our e-book readers, with the most popular justification for doing so being: I remembered that I could.
![]() So invested were Amazon in their creation that the font has replaced Caecilia as the default option in all their future devices. It introduces a lighter, more graceful look and outperforms other digital reading fonts to help you read faster with less eyestrain. ![]() Font serifs are not symmetric, like in Caecilia, the former default Kindle typeface, he writes. Designed in 1993 by Matthew Carter, a modern legend in typeface design, its purpose was to be the first serif typeface to be comfortably consumed on a digital display. Georgia was one of the first popular digital typefaces to feature this element, with Carter saying in an interview that he was puzzled over their disappearance. The main aim with e-book typography is for the reader not to notice what font you are using, he writes in a comprehensive blog post on digital typography. If you use a typeface that annoys readers or that they find even slightly difficult to read, then you are giving yourself problems. Although Bigelow did acknowledge that there may be some bias on his part since he studied with the fonts creator, Zapf. Rather unsurprisingly, its two newcomers to the publishing industry that fared best in this regard, with Bookerly and Georgia coming out on top.
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